OTF | 1.25 MB
- This font family is inspired by printed work made by the Elzevir family back in the XVIIth century at Leiden (NL). They worked with material from several type designers, but further investigations sends us to the tracks of one in particular: Robert Granjon. Granjon italics were way ahead of his time, making some really beautiful signs like swashy ampersands and minuscule v letters. This font also contains old style figures in the same fashion as they were printed, like the flipped number 8 and open forms in 6 and 9. This is as much a revival as an original design, because of their weights bold and heavy (both with italics) that were inspired on some titles. In this font you can also find a lot of ligatures, small caps, diacritics and even a fleuron for each weight and variation.Leidener came up from two books: Constantini Imperiatoris (1611) and Exercitationum Mathematicarum (1657), printed by Louis and John Elzevir on their Leiden Workshop, back in the day.
Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility. Monograms, logos, jewelry packaging and book covers are only a few of the possibilities with such a high-end script.
OTF | 1 Font | JPEG Preview | 13.7 Mb RAR
MonteCarlo is a beautiful formal script— both contemporary and traditional. This connecting script’s italic is slight, making it an extremely legible design. Its additional flourishing options offer truly diverse possibilities for customization of display. MonteCarlo is perfect for those situations that require an ornate look, and a readable message, without compromising beautiful design.
OTF | 10 Fonts | JPEG Preview | 4.4 Mb RAR
While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread from those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather’s library: Bellezas de la Caligrafía, by Ramón Stirling, 1844. Stirling was one of the Latin calligraphy pioneers who introduced a refined version of English calligraphy in Spain and made it popular in the nineteenth century. Some scans from that book served as initial basis for the caps in my Poem Script. But it was always
in the back of my mind that I should do a copperplate, and the Stirling model was the perfect source. My intention was to veer away from Stirling’s exuberant ornamentation, and work within simplified forms of his ideas. As it usually is with most of my projects, Bellissima became its own bird and shaped its own flying patterns. Suddenly there were many ligatures, multiple endings and swashed connections, hundreds of alternates for both uppercase and lowercase. Bellissima has an effusive energy that appeals much beyond its sourcing. It’s intended for these modern times of appreciation for old crafty things like stationery and letterpress, where its origins help it shine brightly. Bellissima Script Pro is a complete font with almost 2000 characters full of alternates, swashes, ligatures & ornaments covering a wide palette of latin languages.
OTF + TTF | 2 Fonts | JPEG Preview | 12.4 Mb RAR
Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. These new display cuttings were prepared by Dyana Weissman and Richard Lipton. Among other uses, Benton Modern is recommended for Newspaper, Magazine, Book and Corporate use.
OTF | 36 Fonts | JPEG Preview | 12.2 Mb RAR
The type family consists of six well-distinguished weights, from hair-thin all the way to the one black as the deepest night. In line with the current trend, it touches all boundaries, it stretches beyond technical possibilities and in extremes, it is almost illegible – the counters are reduced to a hairline. All italics have the same proportions as their corresponding regular styles, which emphasises the block-like appearance of the set text. Monopol was designed to thrive on posters, exhibit stands, book covers, magazines, and in complex visual styles. Its twelve styles make it an ideal tool for creating a dynamic composition using solely typographic means.
OTF | 12 Fonts | JPEG Preview | 4.6 Mb RAR
Abolition is a condensed sans-serif display typeface that’s got a knack for propaganda posters and industrial buildings. It’s a highly modified sans-serif version of Bourbon with some new surprises. Features include: Stylistic Alternates and Multiple Language Support.
OTF | 10 Fonts | JPEG Preview | 5.5 Mb RAR
In 2007, insigne released Aviano. Its beautifully drawn extended letterforms were a hit with designers, and Aviano quickly became insigne’s most popular offering of early 2007. Now, insigne returns to the classical forms that were the inspiration for Aviano with a sans serif variant. Aviano Sans is wide and geometric, and is perfect for any job that calls for a chic and dignified sans serif. Aviano Sans 2009 update includes two new weights, Thin and Black. All weights include 42 new Art Deco-inspired alternate characters and 40 unique ligatures.
OTF | 5 Fonts | JPEG Preview | 3.5 Mb RAR
Quadon was designed to fill the gap between traditional serifs and the lasting trend of using sans serif fonts for contemporary design. The result is a modern, clear and infinitely flexible interpretation of slab serif fonts. The open shapes and a large x-height keep the font legible in small sizes while the short descender supports the compact heart and strength of a slab serif. Quadon has a wide range of typographic features and alternative glyphs to create your own and unique version of it. It comes in nine different weights with matching italics. From the sensitive but sharp thinner weights to the punchy and powerful heavy weights, Quadon is well-suited for a wide range of versatile tasks.
OTF | 18 Fonts | JPEG Preview | 3.8 Mb RAR
Mercury Script is an action packed type family of three weights. Click on Swash, Contextual or Stylistic alternates in any Open type savvy application for plenty of extra grooviness and combine with Mercury Ornaments for superb results. Turn on Small Caps to activate a complete set of block capitals designed to go with the font. Mercury Script is based loosely on hand lettering found in a vintage lingerie advertisement, only containing the words “light control”.
OTF | 6 Fonts | JPEG Preview | 5 Mb RAR
Ride my bike is a fresh handmade typeface inspired by street style and the new culture that moves pedaling around the city. Perfect for use in headlines, brands and fashion photography compose alternative, thanks to its leading characters, terminals, alternate characters and ligatures that you can find in the Pro version. This version contains more than 600 glyphs. The ‘Dingbats’ font in this family has 91 dingbats, very fun to compliment and accentuate the handmade design. If you do not want to ride so fast, you can find a version without OpenType features - Essential. Come! Get on it and let’s go ride my bike!
OTF | 5 Fonts | JPEG Preview | 5 Mb RAR
TYPONIL Font Family includes eight fonts in four weights; normal and italic. The font family is characterized by its rounded corners, soft views thanks to its optimized kernings, esthetical design and great legibility in both big and small type size. With TYPONIL Font Family you can create good works on the web as logos, texts, your presentations etc. and also in prints as posters, t-shirts, magazines, affiches. Because of its eye-pleasing style, TYPONIL is effective and useful.
OTF | 8 Fonts | 4.3 Mb RAR
I am a child of the Seventies. I grew up rocking the rainbow striped bellbottoms, decorating my room with posters of Unicorns and watching ‘The Electric Company’. Funkydori is my nod to the groovy and far out days of this decade. Funkydori comes equipped with 213 alternates, 13 discretionary ligatures and 38 ornaments allowing for a wide variety of looks. The use of contextual alternates keeps it looking ideal and enabling Titling Alternates switches the design to an unconnected script.
OTF | 1 Font | JPEG Preview | 4.7 Mb RAR
Veneer from Yellow Design Studio is a high resolution hand-crafted letterpress font that’s vintage and authentic with a touch of grunge. It’s highly customizable with six distress options for every letter and three for all other characters, and because it’s remarkably detailed, it looks great even at very large sizes. In addition it includes a matching set of funky extras…for free! The Veneer family includes Veneer, Veneer Two, and Veneer Three with Veneer containing the least distressed characters and Veneer Three the most. Mix and match as desired to create realistic letterpress type. TIP: In Photoshop Veneer looks best with anti-aliasing set to “smooth”. Because of Veneer’s high level of detail, it may process more slowly in some applications.
TTF | 8 Fonts | JPEG Preview | 14.5 Mb RAR
Mensura Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2013. It is a modular, geometric typeface with a subtle rounded angles that provides a soft, pleasant appearance. It has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing intermediate length texts. Mensura Slab font family consists of 4 styles and 2 weights plus italics. Each containing small caps and several alternate characters.
OTF | 4 Fonts | JPEG Preview | 9.7 Mb RAR
Type designer Hannes von Döhren created Klint. A sans serif typeface with a technical appearance and humanistic streak. The family includes five weights; each weight ships in three widths: condensed, regular, and extended. All of the 15 Klint variants have a companion Italic, rounding out family at 30 fonts. Klint’s large x-height makes the design especially legible at small point sizes. In today’s day and age, appliance manufacturers and/or companies in the mobile phone, computer hardware and software or Internet sectors are becoming ever more important. Klint fills the rising need for superfamilies with a technical feeling that are also legible in both text and display settings. Through conspicuous letters like R, K, k, or g, as well as the independent nature of its Italic, Klint exudes an ethos that separates it from the competition. Longer text passages in brochures, catalogs, or magazines would be well served by Klint’s Light, Regular, and Medium weights. The heavier cuts are optimized for poster settings and headlines."
OTF | 29 Fonts | JPEG Preview | 5.8 Mb RAR
“Delicatta” is a beautiful and expressive script font by dooType. You can use it in many areas such as packaging, invitations, magazines and posters. This version contains Opentype Features including alternates and ligatures that you can use as needed. Check in gallery for some images. Enjoy!
OTF | 1 Font | JPEG Preview | 5.4 Mb RAR
Lust is my overly indulgent attempt to infuse wanton sensuality in a typeface. I wanted to create something that was over the top but veered away from my loose “sushi” scripts, Fugu and Nori, yet was altogether reliable, without the rigidity akin to my Aaux Next series -- but it had to be, well, a little sexy. The solution was to create a curvy serif. A serif would be a different endeavor for me since I consciously choose not to do many serifs -- because there are so many wonderful options already! Because of this, my approach (and design) had to be different. Here’s how I broke down what I felt it needed to have under the covers to create this “lusty” typeface: Lots of contrast, almost demure, coy contrast mixed with the flowing curves of a woman’s body, incomplete, almost teasing ball terminals, and serifs that went on forever-- so sharp they would draw blood if you touched them. The result yielded a rather diverse typographic gene pool: a little Scotch Modern, a little Didone and Didot, a dominant dose of Caslon, and a pinch of Baskerville-- all wrapped up in the leggy body of a Brazilian supermodel. A confident, self-reliant typeface that shows just enough to keep everyone staring and leave them wanting more. With this design done, I moved to make it even more desirable and created the display variants with double the contrast! WARNING! I cannot stress this enough. Please know what you are getting into with this typeface. Like a supermodel, it can't be squeezed into every situation. It needs room and size to breathe. The regular weights can support 36-point or higher settings, whereas the display weights shine above 72-point (preferably 100-point). Lust is packed with alternates to play with-- enough to turn you on and satisfy. Utilizing the OpenType features (and Glyph palette) wisely will have you weaving through endless variations of Stylistic, Contextual, Titling, Historical and Swash alternates-- and the Italic styles feature a Contextual system that allows you to switch seamlessly between Didone and Scotch traits in order to better complement the upright variants.
OTF | 6 Fonts | JPEG Preview | 6 Mb RAR
Petala Pro took its first steps almost ten years ago. Since then, the quest for perfection has forced several interruptions. It was necessary recalculate the route, tread other ways, discover new maps, and make easy curves. In the end, a new milestone on typeface design was reached. Petala Pro combines readability with a gentle but strong personality. The smooth and balanced forms shares space with expressive ink traps. The 18 styles of the family – from Thin to Black – allow the flexibility needed to complex design briefs. When designing the different weights, rather than automated solutions, subtle adjustments were made to value the optical qualities of each style. Such care makes all the difference under extreme conditions. The wide variety of alternates makes Petala Pro even more versatile. All the styles come with a lot of advanced OpenType features such as stylistics sets, localized forms, contextual alternates, ligatures, small caps, numbers, fractions and more. Petala Pro brings your message with efficiency and personality for a multi-language environment and in any medium or support, such as video, mobile and computers screens. Petala Pro is the ideal choice for editorial, advertising, branding and corporate identity.
OTF | 18 Fonts | JPEG Preview | 8 Mb RAR